5 weeks Fridays 6:00 - 7 :30 pm
SULT studio - Hydes Creek Bellingen
Feb 20 - March 20
TRACE is an immersive Art × Movement short course where the body becomes both the maker and the material.
This practice explores the meeting point between improvisational explorative movement, subconscious expression, and large-scale, ephemeral art-making.
Participants work with conceptual music, collaborative structures, and traditional art materials — including chalk, ink, bamboo, and large-scale surfaces — to create temporary visual works that emerge directly from movement.
Rather than treating art and movement as separate disciplines, this course dissolves the boundary between them. Movement becomes mark-making. Mark-making becomes movement. The body becomes a thinking, sensing, composing instrument.
Core Focus
Improvisational movement practices
Kinaesthetic intelligence & somatic awareness
Subconscious and intuitive expression
Ephemeral, large-scale art-making
Collaborative and relational creation
Conceptual music as a compositional structure
What Participants Experience
Movement as a creative intelligence, not performance
Art as a process, not a product
The body as a site of research and expression
Collective creation without hierarchy
Temporary works that prioritise presence over permanence
TRACE is not about choreography, technique, or traditional art outcomes.
It is about creating a space for art to emerge from the subconscious and helping individuals to foster an embodied awareness for curiosity, experimentation, and embodied intelligence supporting movement to become a visual language, and art to become a lived experience.
5 weeks Fridays 6:00 - 7 :30 pm
SULT studio - Hydes Creek Bellingen
Feb 20 - March 20
TRACE is an immersive Art × Movement short course where the body becomes both the maker and the material.
This practice explores the meeting point between improvisational explorative movement, subconscious expression, and large-scale, ephemeral art-making.
Participants work with conceptual music, collaborative structures, and traditional art materials — including chalk, ink, bamboo, and large-scale surfaces — to create temporary visual works that emerge directly from movement.
Rather than treating art and movement as separate disciplines, this course dissolves the boundary between them. Movement becomes mark-making. Mark-making becomes movement. The body becomes a thinking, sensing, composing instrument.
Core Focus
Improvisational movement practices
Kinaesthetic intelligence & somatic awareness
Subconscious and intuitive expression
Ephemeral, large-scale art-making
Collaborative and relational creation
Conceptual music as a compositional structure
What Participants Experience
Movement as a creative intelligence, not performance
Art as a process, not a product
The body as a site of research and expression
Collective creation without hierarchy
Temporary works that prioritise presence over permanence
TRACE is not about choreography, technique, or traditional art outcomes.
It is about creating a space for art to emerge from the subconscious and helping individuals to foster an embodied awareness for curiosity, experimentation, and embodied intelligence supporting movement to become a visual language, and art to become a lived experience.